| Kings
            River Bluegrass Festival Since
            I've driven as far as 450 miles for a bluegrass festival, it only
            make sense that I should always attend a festival that is only 20
            miles from my house. And yet, for various reasons, I've missed a few
            Kings River (formerly Hobbs Grove) festivals over the years.
            However, I have been a regular attendee for the last four years,
            including this one. Like
            last year, I was joined by my friend Janell Sidney, and we got
            started about 2:30 Friday afternoon for the short drive to The
            Grove
            near Sanger, home of the Kings River Bluegrass Festival. We did a
            little setting up after we arrived, then headed to the stage area,
            in time to see about half the first act, the Grasskickers. This was a local group that
            we've seen several times before, and that seems to be really getting
            the right personnel and the right chemistry to be an excellent band. There
            were two bands that were new to us on Friday, both competent but not
            outstanding. First was the Rock Ridge Bluegrass Band, who come from the Chico area. We had been anticipating the
            other, the  Central Valley
            Boys, because two players were in the 
            Dalton Mountain Gang, our favorite local group which disbanded
            earlier this year. The Boys were OK, but had not really worked
            together that much yet; their set Saturday evening, after intensive
            practice during the day, was better. Their approach is to do
            strictly traditional classics. These are songs we enjoy, but the
            variety of contemporary and original material was sadly missed.
            (Dalton Mountain had been adding more and more intriguing original
            songs.) A
            group that deserves a mention is  Red Dog
            Ash, based in Turlock. They
            have recently released a CD, which got a good review in the primary
            magazine devoted to this music, Bluegrass
            Unlimited. We've
            also seen this group a few times, primarily at the free Friday 
            Bluegrass in the Park series in Clovis. Another
            repeat we looked forward to was The Get Down Boys, who we'd
            seen at Parkfield.
            Although they sounded fine, we were certain that at least one and
            probably two players had not been with the group we saw last May.
            Their mandolin player was definitely a "fill-in,"
            recruited at the festival. At their second show, the three
            "regular" member were joined by Pete Hicks of  Bean
            Creek, and mandolinist  Scott
            Gates, who's been playing
            professionally in southern California after starting out in the Kids
            on Bluegrass program. Bean
            Creek is a group that I've seen a number of times, over at least the
            last six or eight years. They are from the Santa Cruz area, highly
            popular with the crowd, but a bit of an enigma for me - I like some
            of their stuff, but not all. Pete Hicks was hands down the best fiddle and
            mandolin player at the festival. Lead vocalist Billy Petrone has a
            voice that works great for some songs, and less so for others, but
            overall, I have always enjoyed their music. Closing
            out Saturday night, as well as the entire festival Sunday afternoon
            was  Evie Ladin & Evil
            Diane. Diane is neither evil nor a person,
            but rather the group name. This  group was mostly new to us,
            although we recognized Evie as member of the
            Stairwell Sisters, who we saw at Parkfield. In addition to the
            usual singin' and pickin', Evie dances on an amplified board. We
            both enjoyed their performances. Since the
            weather was close to perfect at the two bluegrass festivals I
            attended earlier this year, we were due for some unpleasant weather,
            and we really got it Friday. Summer said goodbye with a temperature
            of 101, with lots of clouds and humidity. Walking around the motor
            home for some minor chore left me dripping, kind of like being in
            Alabama. Saturday was about 95 degrees, but still very humid, while
            Sunday brought the weather we like - 85 high, and a nice breeze all
            day. On
            Saturday, shortly after we went to the stage area, Janell went to
            sit in a more shady area, and almost immediately began feeling
            faint, to the extent she had to be helped into the hospitality room.
            She is diabetic and takes several medications, and her doctor later
            determined the probable cause was too high a dosage of one of the
            prescriptions. After resting a while and having a few swallows of
            Coke, Janell was feeling well enough to walk back to the motor home.
            She spent the rest of the day just taking it easy, and by the time
            of the evening performances, she felt up to going back to the stage;
            she was able to enjoy the rest of the festival with no further
            problems. Saturday's
            musical performances included Baloney
            Creek, a group that seems to fluctuate up and down in my
            rankings. When I first saw them about 10 years ago I liked them, and
            was especially impressed with the lead singer/fiddler/guitarist
            Delisay Richter (now Johnson). Over the years, they have often
            played with their instruments electrified, which just does not work
            in bluegrass for me. They now have a new guitarist, who is less of a
            show-off than the previous one, and at the Kings River Festival they
            played acoustically, so once again I had to move them up in the
            rankings. Dee does not do as much of the singing as she used to,
            which is a loss. Saturday
            also brought the first of two sets by the Anderson
            Family, who I first saw at Plymouth
            in 2006. They have made great progress, especially with their
            instruments, but are not quite at the point of being really
            outstanding like some other family bands I've seen. Janell and I
            agreed that 10-year old Daisy shows promise of being the best singer
            of the bunch. The final
            day of music ended about 3, and it was nice and cool (85 and breezy).
            On our way home, we were tempted, as we often are, by a fruit stand,
            actually the Simonian Farms
            complex, more of a full size store than a stand. We both came away
            with some grapes, and with a desire to go back for more great music
            next year. --Dick
            Estel, September 2011   Brown
            Barn Bluegrass Festival Lots of changes at the Brown Barn festival this year - for one thing,
             the barn  is actually brown, although it's not the site of the music.
            The festival is a month later and three miles south of where it used
            to be, and it almost didn't happen. The previous location is being sold and it took a lot of work and worry before the promoters connected with the owner of
             Franklin Ranch in
            Gilroy, who had been wanting to put on an event
            of this type. The
            owners are involved with Music
            Medics, "a nonprofit corporation created to provide comfort and healing through the use of music for all in
            need" and a co-sponsor of the festival. The
            festival was started by the late Jake
            Quesenberry, co-founder of the California Bluegrass
            Association, and has been continued in his honor by
            his family, with support from other bluegrass organizations. This is
            the sixth one, and I've attended the last three. So we are in probably the strangest setting of any festival I've been to. Although it is a working ranch, with hay as the main crop, the area near where I am camped and on two sides of the festival area is some sort of indescribable industrial place with lots of old vehicles (tractors, fire engines, etc); lots of shop-type buildings that seem to be closed up and not in use,
            storage containers, old mobile homes, and some alpacas. Yeah, alpacas. The festival area itself is very nice, with green grass, a little
            shade around the edges, and  a stage with a custom-built false-front barn behind it attached to an existing fence. For tent campers, there
            is a big grassy area outside the main grounds, but those who wanted electricity had to park near buildings with outlets.
            The building where I am plugged in is a storage room full of
            computer equipment. The
            music was good to great, with quite a few groups that I saw in
            August at the Good
            Old Fashioned Festival, or last month at Kings
            River. The only group that was totally new to me was a band that
            specializes in old time music, Ragged but Right. Lots
            of musicians play in more than one band, and this was
            well-exemplified by three groups that appeared. Oak
            Grove is the Schwartz family band, including teenagers Nate and
            Max who later appeared with AJ Lee and Marty Varner in OMGG.
            AJ is a regular with the Tuttle
            family band. And just for good measure, Molly
            Tuttle played guitar through most of Snap Jackson's set. The
            Tuttle boys, Mike (age 12) and Sullivan (age 16) are probably the
            best young pickers on mandolin and guitar that I have seen. Their
            performance of El Cumbanchero from five years ago has over a million
            and a half hits on You Tube, but their updated
            version is faster, hotter and better. Their CD was reviewed in Bluegrass
            Unlimited  magazine, which also praised the boys playing. There
            were a number of groups that take the more traditional approach,
            including Highway
            65 (from Porterville), the Pleasant Valley Boys, Windy
            Hill, and the Mighty Crows (a band that no longer exists, but
            re-united for this event). My
            favorite old-time band, Red Rag Andy was there, although Barry
            Schultz, the vocalist who always provided an interesting background
            on the group's songs, is gone from the group. And I can't help but
            give another shout out to Snap
            Jackson & the Knock on Wood Players, a group that is
            starting to get national attention, and that always gets the crowd
            excited. The
            weather was mostly very good, warming up to 80 or so in the
            afternoon. With almost no shade available, I was able to stick with
            my 2nd row seat in the sun all weekend, but had to take a shade
            break each afternoon. Evenings were cool, but required no more than
            a sweatshirt. There was some overcast Sunday morning, but it burned
            off quickly. Since
            a good part of the crowd comes from fairly close by, most everyone
            left Sunday afternoon, but I stayed overnight as usual. I think
            there were three other parties that also stayed. I got a good early
            start Monday morning and was home shortly after noon. --Dick
            Estel, October 2011 |