| For
            the 111th time, more or less, I attended the  Parkfield Bluegrass
            Festival, held every Mother's Day weekend at the Earthquake Capital
            of California, located in the Cholame Valley halfway between the
            junction of state highways 41 and 46, and San Miguel on US 101. OK,
            it was actually only the 16th time, and this was the 19th year in a
            row that the event has been held. I missed the first two, and 2007.
            In the past I've written about the roads that take you there, so if
            you're interested in that, you can go back to my report
            from 2010. You can find links to my reports from all
            previous festivals here. As
            usual the music ranged from OK through pretty good to outstanding.
            As usual, it rained. Not much, but way more than the predicted amount of not at
            all. Actually it was the least disruptive and annoying rain of the
            many that have put a damper on things for me at this festival. It was a brief
            drizzle, lasted less then 10 minutes, and was mostly during the
            Friday lunch break. It made for a very cold afternoon, until it wasn't,
            when the sun came out for a half hour making it very warm. Then when
            I took off several outer layers, the clouds came back, the wind came
            up, and it cooled off quite a bit. I didn't wear everything I
            brought, but I came close. Saturday's
            weather was again cool and breezy until about 4, when the sun
            dropped low enough that the big valley oaks that provide shade most
            of the day were no longer effective. Then it was too warm, and after
            putting up with it a while, I moved to a shady spot, then went back
            to my motor home with about a half hour to go in the afternoon
            program. That
            evening the temperature dropped, which is normal in this area at
            this time of year. I take two or three shirts to my chair in the
            evening, and put them on one by one. I finally realized I should
            have brought one more jacket, and returned to the motor home, where
            I was able to listen to the final act of the night via the
            festival's local FM broadcast. At
            most festivals I see a group that I consider a
            "revelation"  - one I'm not familiar with, but which
            stands out above most of the others. The group that best fit this
            definition was the  Lonely Heartstring Band from the Boston area. They do a lot
            of stuff that's not quite bluegrass, but when they perform a
            bluegrass song, they do it right. The vocalists are good and they
            are all highly skilled on their instruments. An interesting note is
            that the bass player also performs with the Boston Symphony
            Orchestra. There
            were three groups consisting of young players, some of whom I've
            seen at the Kids on Bluegrass segments that are a part of most
            festivals. Most of the people in these bands are 15 to 20 years old,
            so there are some vocalists that will improve with age, but for the
            most part they are all good or great players. The
            Blue J's  includes Jack Kinney from the Fresno area, whom I've seen
            in various groups at the summer  Bluegrass in the Park series in
            Clovis. He was probably  14 and "good for his age"
            when  I first saw him; now he's just plain good. He plays all
            the usual bluegrass band instruments (fiddle, mandolin, banjo, bass,
            guitar), but stuck to fiddle for this group. The rest of the group
            consists of the three Gooding Brothers, whose father plays with the Central
            Valley Boys, and their best friend Jesse Personeni. Pacific
            Drive  is a group from various Bay Area cities. Now age 18 to 22,
            they have been jamming together since the youngest members were
            about ten years old. Vocalist Helen Foley has a mature sound, and
            all are good on their instruments. Blue
            Summit  was the best of the the three "young bands," and
            features  A.J. Lee, once known as "the little girl  with the
            big voice." I saw her at age 11 and even at that young age her
            singing abilities were well beyond her years. Now she's just plain
            outstanding. She's joined by
            Sullivan Tuttle, a member of the  Tuttle Family which A.J. has played
            with for years, along with three other highly skilled players who
            were not familiar to me. When I first saw Sullivan about age 15, I
            thought he was probably the best kid guitar player I'd ever seen.
            However, I'd never seen him open his mouth, so I was somewhat
            surprised to read that the  Northern California Bluegrass Society had
            named him male vocalist of the year. When he sang at Parkfield, I
            realized the honor was well-deserved. He has a very pleasant, very deep
            voice. My final decision was that this group was a couple of levels above
            the others and more than that vocally. There
            were another three bands that stood out, all of them familiar to me.
            
            Snap Jackson and the Knock on Wood Players were back at Parkfield
            for their eighth straight year, and happily, bass player Brian Clark
            is back with the group. They do a mix of traditional bluegrass, old
            time, and indefinable music. Snap usually plays banjo, but breaks
            things up with the ukulele from time to time. The
            Cache Valley Drifters  got started in the 1970s, and have retired and
            then gone back to "work" once or twice. This is another
            band that does not adhere strictly to traditional bluegrass,
            especially now that they are a three-man group. Their lead vocalist
            is in the running for best singer at the festival. Sawmill
            Road  are actually no longer performing together, but reformed for a
            brief reunion tour, consisting of Parkfield and the  California
            Bluegrass Association's Father's Day festival in Grass Valley. Banjo
            man Dick Brown was a part of Lost Highway, who appeared at one of
            the first festivals I attended, in Mariposa about 20 years ago. I've
            seen him in several other combinations over the years, and usually
            have enjoyed a brief conversation each time. Also well known to me, also first seen at Mariposa, is
            guitarist Charlie Edsall, who does some nice vocals. Doing most of
            the singing and playing bass is Steve Spurgin, a self-described
            "old folkie" who wrote the popular favorite,
            "A Walk in the Irish
            Rain." The other two members are both
            top level musicians, known to me only through their work with
            Sawmill Road. The
            other groups all belong in that OK to fairly good category which is
            essential to fill out a four-day program of bluegrass music. Regular
            readers of these reports will not be surprised to learn that I did
            some walking each day, and Parkfield is a great place for that. It's
            all flat, and all walking is on roads, but  the surroundings are
            unique...rounded hills that rise up abruptly from the level valley
            on one side,  oak-covered hills not far away to the west. This is
            
            ranching country, although you don't see many cows close to town.
            Instead you see  fields of
            hay, and it looked as if the heavy rains
            this year produced an excellent crop. Some of it was already cut and
            lying in rows drying out for baling, but for the first time I saw a 
            mowing machine in action, and got some photos. On
            Friday morning I walked north on Parkfield-Coalinga Road, the main
            route through town, which turns to dirt after about five miles, and
            goes over the hills to Coalinga. Never drive on this dirt road when
            it's raining - you may be there till the dry season (seriously). I didn't go that far of
            course, my goal is to walk to the green bridge over Cholame Creek,
            which is about 1.9 miles round trip. On
            Saturday I just walked around town, going down  every
            street, and
            through the various  camping
            areas. Every street is not as
            challenging as it may sound. It means Parkfield-Coalinga Road, Oak
            Street, Park Street, 2nd street, and then into the rodeo grounds
            area where most
            people camp. Still, this walk added up to 1.14 miles.
            By the way, Parkfield-Coalinga is the only paved road. The
            Sunday program included things that didn't interest me, plus groups
            I had seen the first three days, so I had already decided to leave
            once I had finished breakfast and a walk. I ate some cereal, then
            went south on Parkfield-Coalinga Road out to the bridge that crosses
            
            Cholame Creek and joins the road that runs from Highway 41/46 to US
            101. Crossing  this bridge takes you from the North American Plate to
            the Pacific Plate, meaning you are crossing the  San Andreas
            Fault. I
            had walked this way in the past, but had always turned north on to Vineyard
            Canyon Road. This time I took  Cholame Road to the south for a few
            hundred yards, then returned to camp, a total hike of 1.43 miles. I
            finished getting the motor home ready to go, and left for home
            around 10:30. The return trip was uneventful, although I arrived in
            Clovis to find that the weather there was unexpectedly cool and
            breezy, always a good thing when you have to deal with unloading the
            vehicle, and taking it back to storage. --Dick Estel, May 2017
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